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Kisses English Movie 2008
Drama Movie
Cast & Crew
Cast: Shane Curry, Kelly O Neill, Stephen Rea, Paul Roe, Neilí Conroy, David Bendito, José Jiminez, Willie Higgins,
Director: Lance Daly
Writer: Lance Daly
Genre: Drama
RunTime: 1 hr 13 mins
Released By: Shaw
Country:Ireland | Sweden
Language:English
Opening Day: 4 February 2010

Plot Summary :

Two kids, Dylan and Kylie, run away from home at Christmas and spend a night of magic and terror on the streets of inner-city Dublin

Watch online Movie Trailer free Kisses English Hollywood Film.The The Film Director by Lance Daly.


Kisses English Film Synopsis:
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Watch movie Story : On the fringes of Dublin, Kylie and Dylan, two pre-teen kids, live next door to each other. One night they run away, and together they make their way to the magical night time lights of inner city Dublin, to search for Dylans brother, who ran away two years previously, in the hope of finding, through him, the possibility of a new life. Dublin, as seen through the innocent eyes of our protagonists, is a kaleidoscope of magic, wonder and mystery. But as the night wears on, and Dublin takes on a darker character, the two kids have to rely on the kindness of strangers, the advice of Bob Dylan and their trust in each other to survive the night.

Kisses Hollywood Movie Review :
Like last year's charming Irish city musical-romance "Once", Lance Daly taps into the big, bright, damning lights of Dublin to showcase the city's vibrancy and romance amidst the dark alleys and even darker characters that dwell there. The two young leads in “Kisses” – the looks-tough-but-fragile Dylan (Shane Curry) and his companion, the looks-fragile-but-tough Kylie (Kelly O'Neill) – possess the indomitable spirit of confidence in finding a better life away from the ones they find themselves born into. It's the sort of life that hardens the resolve to seek out anything wholly different from the podunk suburban hellhole of drunks, abusive relatives and dead-end existence that cyclically draws in parents and child alike. Dylan and Kylie are precociously cynical kids but still filled with the fleeting quality of innocence of believing that it will all change. Turns out – as the film quickly turns caustic in the depictions of family life – they have every right to be cynical and acutely aware of their dire surroundings.

Daly's keen eye for emotional states starts off superbly. The stark black and white cinematography of its opening act almost recalls the great social realism in British kitchen-sink dramas of the 1960s. Uncompromising in certain points and but riveting in its entirety, Daly conducts a suitably tense atmosphere from its inciting incident to Dylan and Kylie's eventual road trip to Dublin with a fistful of cash and no ideas about the trials awaiting them.



The cinematography subtly switches to a rich vein of colour, matching the cityscapes and saturating the screen with the ebullience of a realised freedom. They find that they could possibly achieve anything they want to when they are together. The two leads – Curry and O'Neill – are captivating in their guileless performances. They are honest and courageous and with the heavy accents and cursory enunciations adding to its natural charms and quality of genuineness, the film's best scenes come when they (and we) discover each other's strengths and qualities silently through the tribulations of poverty, crime and hopeless dread encapsulating their hopes.

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